ABOUT THE SHOW

VOICES is a highly-curated musical revue, presenting some of our community’s most extraordinary singers and performers. With 3 performances on the Main Stage, pianist Janet Robel, who last collaborated with Civic in 2018 (West Side Story co-production concert with Spokane Symphony) will accompany a variety of dynamic performances through the musical theatre canon.

Directed by Jake Schaefer

PERFORMANCE DETAILS

Margot and Robert Ogden Main Stage
February 20 – 22, 2026

AUDITIONS

December 14 and 15 at 6:30PM

AUDITION LOCATION

Spokane Civic Theatre, Studio Theatre
1020 N Howard St, Spokane WA 99201
Directions can be found here

OF NOTE

• Seeking all ages, ethnicities and cultural backgrounds
• Seeking strong singers/performers with excellent musicality and stellar stage presence
• Please prepare 1 minute or less of two songs that show off your vocal range and personality. Please bring prepared sheet music—an accompanist will be provided. Instrumental tracks are not permitted for auditions.
• Please note—this production’s band is a grand piano; please audition with material that works with piano only

QUESTIONS AND COMMENTS, PLEASE EMAIL:
Production@SpokaneCivicTheatre.com

ABOUT THE SHOW

The winner of six Tony Awards (including Best Musical), the Grammy Award for Best Musical Theater Album, and an Olivier Award for Best Musical, Dear Evan Hansen is a deeply personal and profoundly contemporary musical about life and the way we live it. The show features a book by Tony Award-winner Steven Levenson (Fosse/Verdon), and a score by Grammy, Tony and Academy Award winners Benj Pasek and Justin Paul (Dogfight, La La Land, The Greatest Showman).

All his life, Evan Hansen has felt invisible. But when a tragic event shocks the community and thrusts him into the center of a rapidly evolving controversy, Evan is given the opportunity of a lifetime: the chance to be somebody else.

Book by Steven Levenson
Music and Lyrics by Benj Pasek and Justin Paul

Directed by Ann Benson
Music Directed by Bryan Swenland
Choreographed by Bonni Dichone

PERFORMANCE DETAILS

Margot and Robert Ogden Main Stage
July 17 – August 2, 2026

AUDITIONS

January 2, 2026 — 6:30PM, 8:00PM
January 3, 2026 — 11:00AM, 1:00PM
January 11, 2026 — 1:00PM, 3:00PM, 4:30PM, 7:00PM

CALLBACKS

January 3, 2026 — 4:00PM
January 13, 2026 — 6:30PM

AUDITION LOCATION

Gonzaga Dance Studios
1110 N Pearl St, Spokane, WA 99202
Street Parking Available

OF NOTE

• Age range and gender of characters is to appear on stage as (Parent/Guardian approval required for minors’ participation)
• Seeking all ethnicities and cultural backgrounds for all roles
• Some roles require onstage intimacy; production team includes a Consent-Forward Director
• Please prepare 1 minutes or less of a contemporary musical theatre song that shows off your vocal range and personality. Please bring prepared sheet music (an accompanist will be provided) or an instrumental track on a device with a 3.5mm audio jack/aux.
• No prepared reading or monologue required; please be prepared for cold readings from the script (instruction, support and time with material will be provided)
• Although auditions are in January, rehearsals will begin in early spring
• Only limited rehearsal conflicts will be accepted

ROLES

Evan Hansen
Vocal range: G2 – C5
Smart, sincere, and excruciatingly self-conscious, Evan prefers to hover in the background, a supporting player in his own life, too afraid to step forward into the spotlight and risk ridicule or, what might be worse, no one noticing him at all.

Heidi Hansen
Vocal range: F3 – Eb5
Evan’s mother. Overworked and stretched too thin, Heidi loves her son fiercely, but fears they have begun to grow apart. She is prepared to do anything to repair the damage.

Zoe Murphy
Vocal range: F3 – E5
Sensitive and sophisticated, with a sharp sense of humor, Zoe could care less about the status games and popularity rites of high school. She feels a terrible ambivalence over her brother’s death.

Connor Murphy
Vocal range: C3 – G#4
An angry, disaffected loner, Connor has been a troubled kid for as long as anyone can remember, an enigma and a source of endless consternation to his long-suffering parents.

Cynthia Murphy
Vocal range: F3 – E5
Connor and Zoe’s mother. To Evan, she seems to be the perfect mother, nurturing, available, and willing to talk about anything. To her own children, it’s a bit more complicated.

Larry Murphy
Vocal range: Bb2 – G4
Connor and Zoe’s father. Though often tense and taciturn, Larry shows a different face to the world, representing for Evan the dad he always wished for: strong, confident, and more than anything, reliable, someone to be counted on.

Jared Kleinman
Vocal range: D3 – B4
Droll and sarcastic, Jared covers his own insecurities with a well-practiced swagger and a know-it-all arrogance.

Alana Beck
Vocal range: F3 – E5
Earnest to a fault, prone to melodrama, Alana hides a deeper loneliness beneath an ever-present smile and an almost aggressive friendliness.

Ensemble
Seeking strong singers and actors to play a range of supporting roles.

QUESTIONS AND COMMENTS, PLEASE EMAIL:
Production@SpokaneCivicTheatre.com

ABOUT THE SHOW

By Tennessee Williams, one of the greatest 20th century American playwrights, The Glass Menagerie, an intimate and beautiful story about family, dreams and the weight of the past, resonates across generations with deeply relatable characters and emotions.

From her cramped St. Louis apartment, Amanda Wingfield dreams of her days as a Southern debutante while worrying about the future of her aimless son Tom and unmarried daughter Laura. With their father absent and the Great Depression in motion, the siblings find comfort in their foibles — alcohol, movies and writing for Tom and a collection of glass animals for Laura — which only heightens Amanda’s anxiety. When a gentleman caller arrives for dinner, the Wingfields are flooded with hope. But it’s unclear if his presence will change things for the better or shatter their fragile illusions.

By Tennessee Williams

Directed by Troy Nickerson

PERFORMANCE DETAILS

Margot and Robert Ogden Main Stage
March 20 – April 4, 2026
Wed-Sat: 7:30PM | Sun: 2:00PM
April 4 performance at 2:00PM

AUDITIONS

January 11 and 12 at 6:30PM

CALLBACKS

January 13 at 6:30PM

AUDITION LOCATION

Spokane Civic Theatre, Main Stage Lobby
1020 N Howard St, Spokane WA 99201
Directions can be found here

OF NOTE

• Seeking all ethnicities and cultural backgrounds for all roles
• Age range and gender of characters is to appear on stage as
• Please prepare a 1 minute or less monologue from a classic play (not from The Glass Menagerie)
• Please be prepared for cold readings from the script at Callbacks (instruction, support and time with material will be provided)

ROLES

AMANDA WINGFIELD (the mother)
A little woman of great but confused vitality clinging frantically to another time and place. Her characterization must be carefully created, not copied from type. She is not paranoiac, but her life is paranoia. There is much to admire in Amanda, and as much to love and pity as there is to laugh at. Certainly she has endurance and a kind of heroism, and though her foolishness makes her unwittingly cruel at times, there is tenderness in her slight person.

LAURA WINGFIELD (her daughter)
Amanda, having failed to establish contact with reality, continues to live vitally in her illusions, but Laura’s situation is even graver. A childhood illness has left her crippled, one leg slightly shorter than the other, and held in a brace. This defect need not be more than suggested on the stage. Stemming from this, Laura’s separation increases till she is like a piece of her own glass collection, too exquisitely fragile to move from the shelf.

TOM WINGFIELD (her son)
And the narrator of the play. A poet with a job in a warehouse. His nature is not remorseless, but to escape from a trap he has to act without pity.

JIM O’CONNOR (the gentleman caller)
A nice, ordinary, young man.

QUESTIONS AND COMMENTS, PLEASE EMAIL:
Production@SpokaneCivicTheatre.com