ABOUT THE SHOW

Emma Woodhouse is clever, wealthy, and believes she knows best when it comes to love—especially when it’s other people’s love lives. Her latest scheme involves the sweet Harriet Smith, whom she advises to reject a perfectly good marriage proposal in favor of another eligible bachelor. As Emma meddles in affairs of the heart, she begins to realize that love—and life—are far more complicated than she imagined, especially when it comes to her own feelings for the steadfast Mr. Knightley.

A fast-paced comedy filled with flirtation, misunderstandings, witty banter, and plenty of surprises, this fresh new stage adaptation interprets Jane Austen’s classic with delightfully original flair.

Based on the novel by Jane Austen
Adapted by Kate Hamill

Directed by Heather McHenry-Kroetch

PERFORMANCE DETAILS

Margot and Robert Ogden Main Stage
January 23 – February 8, 2026
Thur-Sat: 7:30PM | Sun: 2:00PM

AUDITIONS

November 9 – 10 at 6:30PM

CALLBACKS

November 11 at 6:30PM

AUDITION LOCATION

Spokane Civic Theatre, Main Lobby
1020 N Howard St, Spokane WA 99201
Click here for directions

OF NOTE

• Age range and gender of characters is to appear on stage as
• Seeking all ethnicities and cultural backgrounds for all roles
• Some roles require onstage intimacy; production team includes a Consent-Forward Director
• No prepared reading or monologue required; please be prepared for cold readings from the script (instruction, support and time with material will be provided) — dialects are encouraged (play setting: Highbury, England, the early 19th century)

ROLES

EMMA (late 20s-30s): almost unbelievably charming; a natural comedienne. Bouncily flirty; possesses more power of manipulation than even she understands; has a certain sunny, charming self-regard—it’s what allows her to get away with so much. Very very VERY clever—and fancies herself even more clever than she is. Capable of getting ahead of herself. Incredibly dexterous, verbally. Capable of being unfair or short-sighted or impetuous; maybe a bit overindulged. Grew up with wealth. Can be a bit overconfident and self-congratulatory. Capable of getting quite competitive. Generous with those she considers family.

Eminently lovable and eminently fallible. Has emotional depth. Very educated, but is not allowed a profession—and thus is a bit like a border collie without any sheep. Frustrated, and thus sometimes putting her considerable energies in the wrong places. Ahead of her time. Given the chance, she just might run the world.

HARRIET SMITH (20s): a deeply likable girl from the lower classes, who’s been given a basic education. A sweet, naturally affectionate human being, but not the brightest flame in the stove. A born enthusiast; the kind of person who leaps WAY before she looks. Has a strong tendency towards hero worship. A born follower. VERY impressionable. Has a desperate adoring friend-crush on Emma. Wants to be in love. Gets flustered easily. A bit naïve.

MRS. WESTON (mid 30s-late 40s) / as cast: Emma’s former governess. A very smart woman with a good sense of humor; very perceptive and grounded. Not afraid to tell it like it is. Capable of really teaching deep lessons. Not without edge, when she chooses. Likable and opinionated. Gives great advice. Picture the coolest aunt imaginable.

Doubles with MRS. BATES (70s+) / as cast: An elderly lady, very opinionated, who communicates exclusively in grunts and hand gestures. Mrs. Bates is completely obscured by bonnet and scarves and shawls; she’s a big pile of fabric, rather like Cousin It. We never see what’s underneath all the layers.

MISS BATES (40s+) / as cast: headmistress of a struggling school for girls. An incredibly good-natured, if motor-mouthed and daft, woman. Very very proud of her niece Jane Fairfax, whom she talks about obsessively. Once she starts talking, you can’t get a word in edgewise.

JANE FAIRFAX (20s-30s) / as cast: You know that girl who always seems to do everything right? Jane is that girl. An overachiever. Very composed. Very beautiful. Very discreet. Very accomplished. Very smart.

Every hair in place, and it seems effortless. Works as a governess, until she quits under mysterious circumstances. The only girl-child in a family full of schoolteachers, and thus—seemingly—a model of perfect behavior. Maybe a little bit stiff. Under all of this A+ decorum, she’s hiding a love affair with Frank Churchill—she doubts he can be faithful. Is hiding deep passions under that flawless exterior.

MRS. ELTON (20-30s) / as cast: not bright. What’s more, she has a laugh that’s the auditory equivalent of nails being torn out of your fingers. Is delighted by everything. Her libido is…. quite active. Thinks her new husband, Mr. Elton, is the most desirable thrilling brilliant man alive. A truly intolerable woman. May actually be a hyena, wearing a human suit.

May also double with MRS. BATES.

MR. KNIGHTLEY (30s-40s): a handsome man; a super charming man; an upright fellow. He’s also a bit of a rule-follower; maybe sometimes a bit of a stick in the mud. Very clever. Capable of getting ahead of himself and edging towards know-it-all. Can be competitive. Is preoccupied with Emma—they get under each other’s skin in the most delightful way. Gets quite jealous of Frank Churchill. Has the best intentions. Feels deeply. A genuinely good guy. Ultimately learns to admit vulnerability and share his feelings.

MR. WOODHOUSE (60s+) / as cast: an over-anxious, melancholy hypochondriac, but people humor him, as he’s a nice man under it all. Obsessed with the healing powers of gruel. Tends to darkly predict fatal illnesses as a sign of concern.

May double with MR. WESTON, (40s-50s) / as cast:—the kind of man who likes to make awkward “dad jokes.” Very very proud of his son, Frank Churchill. An unsubtle matchmaker. A good man; not a mean thought in his head. Maybe is prone to blurting out the wrong thing.

MR. ELTON (any age) / as cast: a clergyman who sometimes gets the wrong idea. ADORES poetry. A born social climber. Fancies himself a great romantic. Thinks ladies are naturally coy and enjoy wordplay. Is determined to woo, and win. Thinks he oozes charm; maybe just oozes.

May double with MR. WESTON.

FRANK CHURCHILL (20s-30s) / as cast: an incredibly charming, handsome, mischievous flirt of a man—the kind of man who gets away with almost everything, because he’s so irresistible. Not a bad guy, really; just a bit too likable for his own good. Ladies love him. Funny. Gossipy. Clever. A little spoiled and manipulative. A bit unused to hearing “no,” and as a result, doesn’t really believe in “no.” Can be callous or unthinkingly cruel or self-indulgent. Wishes to reform, but can’t…. always…. help himself. Enjoys half-truths and innuendo. Is, underneath everything, in love with Jane Fairfax—but that doesn’t mean other women become uninteresting to him.

Doubles with ROBERT MARTIN—a sweet groundskeeper, in love with Harriet. Non-speaking. May also double with MRS. BATES.

QUESTIONS AND COMMENTS, PLEASE EMAIL:
Production@SpokaneCivicTheatre.com

ABOUT THE SHOW

The winner of six Tony Awards (including Best Musical), the Grammy Award for Best Musical Theater Album, and an Olivier Award for Best Musical, Dear Evan Hansen is a deeply personal and profoundly contemporary musical about life and the way we live it. The show features a book by Tony Award-winner Steven Levenson (Fosse/Verdon), and a score by Grammy, Tony and Academy Award winners Benj Pasek and Justin Paul (Dogfight, La La Land, The Greatest Showman).

All his life, Evan Hansen has felt invisible. But when a tragic event shocks the community and thrusts him into the center of a rapidly evolving controversy, Evan is given the opportunity of a lifetime: the chance to be somebody else.

Book by Steven Levenson
Music and Lyrics by Benj Pasek and Justin Paul

Directed by Ann Benson
Music Directed by Bryan Swenland
Choreographed by Bonni Dichone

PERFORMANCE DETAILS

Margot and Robert Ogden Main Stage
July 17 – August 2, 2026

AUDITIONS

January 2, 2026 — 6:30PM, 8:00PM
January 3, 2026 — 11:00AM, 1:00PM
January 11, 2026 — 1:00PM, 3:00PM, 4:30PM, 7:00PM

CALLBACKS

January 3, 2026 — 4:00PM
January 13, 2026 — 6:30PM

AUDITION LOCATION

Gonzaga Dance Studios
1110 N Pearl St, Spokane, WA 99202
Street Parking Available

OF NOTE

• Age range and gender of characters is to appear on stage as (Parent/Guardian approval required for minors’ participation)
• Seeking all ethnicities and cultural backgrounds for all roles
• Some roles require onstage intimacy; production team includes a Consent-Forward Director
• Please prepare 1 minutes or less of a contemporary musical theatre song that shows off your vocal range and personality. Please bring prepared sheet music (an accompanist will be provided) or an instrumental track on a device with a 3.5mm audio jack/aux.
• No prepared reading or monologue required; please be prepared for cold readings from the script (instruction, support and time with material will be provided)
• Although auditions are in January, rehearsals will begin in early spring
• Only limited rehearsal conflicts will be accepted

ROLES

Evan Hansen
Vocal range: G2 – C5
Smart, sincere, and excruciatingly self-conscious, Evan prefers to hover in the background, a supporting player in his own life, too afraid to step forward into the spotlight and risk ridicule or, what might be worse, no one noticing him at all.

Heidi Hansen
Vocal range: F3 – Eb5
Evan’s mother. Overworked and stretched too thin, Heidi loves her son fiercely, but fears they have begun to grow apart. She is prepared to do anything to repair the damage.

Zoe Murphy
Vocal range: F3 – E5
Sensitive and sophisticated, with a sharp sense of humor, Zoe could care less about the status games and popularity rites of high school. She feels a terrible ambivalence over her brother’s death.

Connor Murphy
Vocal range: C3 – G#4
An angry, disaffected loner, Connor has been a troubled kid for as long as anyone can remember, an enigma and a source of endless consternation to his long-suffering parents.

Cynthia Murphy
Vocal range: F3 – E5
Connor and Zoe’s mother. To Evan, she seems to be the perfect mother, nurturing, available, and willing to talk about anything. To her own children, it’s a bit more complicated.

Larry Murphy
Vocal range: Bb2 – G4
Connor and Zoe’s father. Though often tense and taciturn, Larry shows a different face to the world, representing for Evan the dad he always wished for: strong, confident, and more than anything, reliable, someone to be counted on.

Jared Kleinman
Vocal range: D3 – B4
Droll and sarcastic, Jared covers his own insecurities with a well-practiced swagger and a know-it-all arrogance.

Alana Beck
Vocal range: F3 – E5
Earnest to a fault, prone to melodrama, Alana hides a deeper loneliness beneath an ever-present smile and an almost aggressive friendliness.

Ensemble
Seeking strong singers and actors to play a range of supporting roles.

QUESTIONS AND COMMENTS, PLEASE EMAIL:
Production@SpokaneCivicTheatre.com

ABOUT THE SHOW

By Tennessee Williams, one of the greatest 20th century American playwrights, The Glass Menagerie, an intimate and beautiful story about family, dreams and the weight of the past, resonates across generations with deeply relatable characters and emotions.

Amanda Wingfield only wants the best for her two children, Tom and Laura. With her socialite adolescence behind her, Amanda puts all her energies into pushing her children up the social and financial ladder from which she has fallen. Shadowed by the absence of a father, they struggle to break free from their mother’s imposing ways.

By Tennessee Williams

Directed by Troy Nickerson

PERFORMANCE DETAILS

Margot and Robert Ogden Main Stage
March 20 – April 4, 2026
Wed-Sat: 7:30PM | Sun: 2:00PM
April 4 performance at 2:00PM

AUDITIONS

January 11 – 13 at 6:30PM

More Information Coming Soon!